Although digital technology and access is changing the use of our written world, we were proud to start our communication through the Journal. This wonderful “printed” blog approach came mostly from the editorial direction and pen of Scott Skinner, Ali Fujino, and our man in the field, Ben Ruhe. From years of Journal publications, we changed the format to be not a few individuals' view but to have individuals of the kite community use their own words to bring forth something innovative and exciting about the world of kites. Enter the current edited version of Discourse by Katie Davis, Scott Skinner, and Ali Fujino. Below are archived articles from both the Journal and Discourse.

Most Recent Articles

  • One of the highlights of last year’s “Tako Kichi: Kites of Japan” exhibition at Santa Fe’s Museum of International Folk Art (MOIFA) was a beautiful display of miniature kites by Nobuhiko Yoshizumi. The exhibit, curated by Japanese kite collector and aficionado David Kahn, and featuring many of the kites from his massive collection, was a comprehensive survey of the kites of Japan and included several 100-plus-year-old kites, large paper koi no bori (fish kites), and many ukiyo-e (a genre of Japanese woodblock prints).
  • For twenty years I have been taking low-level aerial photographs using cameras lofted by kites. Considering the abundant buzz about drones these days, kite aerial photography (KAP) might seem a bit anachronistic. Indeed, kites were used for aerial photography long before the airplane was invented. However old, they remain a very practical platform for aerial photography in the current day. As my work in kite aerial photography matured, the technique led to topics, relationships, and communities that have been richly rewarding.
  • In the Hindu epic “The Ramayana,” King Ram was banished for 14 years from his kingdom. My exile from the world of kites, and more specifically kite festivals, was a little shorter.
  • The vision for the Kite Museum of Korea came from Sang-Ho Park of South Korea, a professional who has successfully worked to help Korean corporations meet their environmental regulations. He found the time to pursue an interest in the wind, which lead him to the door of the Drachen Foundation, and thus began the conversations for transition of our kite collection to South Korea. Join us for an interview of Mr. Park by Mr. Cho Byong Ook. Tell us a little about yourself.
  • For almost three years, the Drachen Foundation Board has explored possibilities of selling the extensive Drachen collection in order to ensure its long term existence as well as to finance the future of the Drachen Foundation website. Our priority was to keep the collection in as few “pieces” as possible – the logistics of selling individual kites and objects would make a large project huge.